your host
Original introduction wording
- your host
Classic Frasier · Season 8 · Episode 17
IN THE ROOM
RyanBrad(ley)CurtisNO COMMON DENOMINATOR
Original rating systems, exactly as represented in the archive. These scales are not interchangeable.
The games, the premises, and what everyone brought to the table.
Game / activity
RESULT STATUS
Why couldn't we go to McGinty's tonight?
Same question. Their actual answers. · 1 recorded contribution
RECORDED ANSWER / CHOICE
Oh, my God. This is so painful. You're just going to throw this back at me? Oh, man. No, and it's not because I forgot to do one. No. It was planned the whole time. I was wondering when it was going to come.
3 primary recorded exchanges · 0 retained source actions. 0 additional round events; 0 overlapping source alternatives. A source action may be a clue, reply, reaction or interruption—not necessarily a participant answer.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Oh, my God.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yeah.
Game / activity
We will find out in a new game of Memento Bradley. So here's how this will work. Ryan and I will take turns introducing women to Brad. Each round, he will be given a new fact about each woman. We will also quiz him in each round to see how well he can remember them. Every time he answers wrong, that woman drops out of his dating poll. You're giving me the facts…
We will find out in a new game of Memento Bradley. So here's how this will work. Ryan and I will take turns introducing women to Brad. Each round, he will be given a new fact about each woman. We will also quiz him in each round to see how well he can remember them. Every time he answers wrong, that woman drops out of his dating poll. You're giving me the facts about them? No, you're giving it to us, Brad. Obviously, we're giving it to you. What are you talking about? I was just clarifying. Brad, this is my friend, Angela. What up, Angela? This is B-Rizzy. How you doing, girl? Angela thankfully ignored that. And I want you to know that she is a professional rapper, as in she works at Kohl's doing gift wrapping. Oh, that's so cool. I love gift wraps. The little bunnies on them, they're pretty cool. Angela, gift wrap. Got it. Sure.
RESULT STATUS
What everyone brought to the table · 8 recorded exchanges
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Oh, well, she probably actually is a witch. Yeah. No, wait. I just want to make sure I get it right. Not a witch, but probably a witch.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Oh, nice. Which side? The east. Okay. Got it. Kilimanjaro from the east side.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yes. You're not going to believe this. She actually inspired the name Landshark. I'm only a dolphin, man. By Jimmy Buffett or Landshark the shoes? The beer.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
You just met her a little bit ago? Yes. Do you remember what she was voted on in high school? Ooh. Okay. Um, you just told me.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
I've already marked it as incorrect. He got there eventually with the first one. If we give him 45 minutes, he might get this. I don't know. It's a fascinating look into Brad's brain.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Did he? I did not. Okay. Tell me the girl's name again. You missed that question. That wasn't a question.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yeah. Sandy D. Sandy D. Not her last name, but that's fine. She only eats open-faced sandwiches and flatbreads. Okay.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Calligraphy with reed pens? Is that what it was? I think you said reed pens? Reed, R-E-E-D. Oh. Is that a thing?
21 primary recorded exchanges · 0 retained source actions. 0 additional round events; 3 overlapping source alternatives. A source action may be a clue, reply, reaction or interruption—not necessarily a participant answer.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
No, I don't think so.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yes.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Maybe.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
You just met her a little bit ago?
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
I've already marked it as incorrect.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Okay.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Angela, you've gotten nowhere.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Oh, in gymnastics until she was 19.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yeah.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Yes.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
I'm just trying to give you cool facts about Angela.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Remember, somebody doesn't eat anything the color orange.
RECORDED EXCHANGE
“Participant cited” identifies a contributor, not the speaker of every word in this excerpt. It may include other participants’ replies or reactions.
Because I feel like things are really starting to go well with her.
Matching wording within the same recorded interval supports these overlaps. They are not additional primary exchanges.
Overlapping source representation
Overlaps the primary exchange; not counted again.
Sorry, Ryan, you said the second fact about Angela is she's a witch? · Oh, well, she probably actually is a witch.
Overlapping source representation
Overlaps the primary exchange; not counted again.
Did you know, Brad, that Janelle climbed Mount Kilimanjaro at the age of 27? · Oh, nice.
Overlapping source representation
Overlaps the primary exchange; not counted again.
Tell me the girl's name again. · You missed that question.
Recurring bit
Oh, they turned. There's like a ceiling fan. Yeah. They turned off the vortex. Well, guys, there is at least one saving grace. Because, Curt, we got a powder room alert.
Curtis has entered his house.
Source excerpt ↗ 1:01:12–1:01:15For myself, Ryan, and for Brad, Curtis has entered his house.
Predictions as made on the podcast—not claims about what actually happens.
Looking ahead
Season 8 Episode 16 — Docu
Their next-episode predictions · 18 recorded contributions
PREDICTION
Well, I could say a docudrama, but there is a period in between those two for some reason.
PREDICTION
I wrote it as docudrama, no period.
PREDICTION
Let me see what our favorite website says.
PREDICTION
Okay, so this is very strange.
PREDICTION
When you click on that episode, it's docu-period drama.
PREDICTION
But then when you click on it and look at the transcript, it's docudrama with no space and no period.
PREDICTION
I don't know what the answer is.
PREDICTION
I've got it written as docu-space drama, so that does change a lot, but I just have to read it as written, I guess.
PREDICTION
Niles makes a big deal of having a bit part in a documentary about one of his murderous expatients.
PREDICTION
No one can stand it.
PREDICTION
Sounds dark for a Frasier episode.
PREDICTION
Actually, I thought it was a little too derivative of the one where he becomes popular within the Seattle circle.
PREDICTION
Where he's like, oh, he's part of this famous trial.
PREDICTION
Oh, Murder Most Maris, yeah.
PREDICTION
But I also didn't have anything else, and I didn't have the dot, apparently.
PREDICTION
So I don't know how that would have changed anything.
PREDICTION
Docudotdrama is the website he starts to shell his new documentary.
PREDICTION
I don't know what that means for us, but we'll find that next week.
Classic Frasier · Season 8 · Episode 1
Classic Frasier · Season 8 · Episode 2
Classic Frasier · Season 8 · Episode 3